Especially if I use, say 6 instances of Guitar Rig 4, all with the same preset. When using cpu and ram intencive vsts, and say 8 or 10 tracks like this, it feels a bit of a waste. Tabla: distortion-delay-autofilter-eq, and Send: reverb Snare: distortion-delay-chorus-eq, and might Send it to: reverb It would remove about 75% of my effects load.įor now, I just use the Sends in normal parallel mode. But it would be cool to find a good simple solution with the sends, that could cut trim down the template. Sometimes I end up using a lot of duplicate effects on the tracks to archive different serial signals. What can be done as a good work template that is a bit more creative then the standard paralell mixing of sends? Say if you want to have the sends like this:Īnd say you want some tracks to use them serial: overdrive to delay to reverb, and others just to delay, or overdrive do reverb. It would be more natural to have the delay inside the reverb room. This creates two individual rooms a parallel effect. Say that you add delay with send A and reverb on send B on a snare track: you will get one hit with only reverb, and another hit with only delays. What is really the benefit of this in a normal mixing situation?įor decades, the usual way has been to simply add parallel effects with the sends. Send A and B will be wet signal only, adding volume to the mix, while the dry signal can be brought down by Send C. Tracks Send C to max, brings back the volume. Using one send to bring the level back up, so the volume fader can be used as normal. Some of my friends use Sends Only at the output on their tracks, when they mix down their song. When mixing down your normal projects, im not talking about exerimental and sound design mixing with sends like Robert Henke does, but normal "bread and butter" song mixing with standard aux effects like reverb and delay. This is a bit long, but its something thats been in the back of my mind a long time.
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